摘要
"牛郎织女"传说与"董永遇仙"传说的故事类型虽然较为接近,但在戏曲中的接受情况却大不相同。"牛郎织女"戏的内容与"牛郎织女"传说故事较为游离,除了七夕乞巧仪式剧外,基本没被搬上过舞台。"董永遇仙"戏却是"董永遇仙"传说故事的重要传播链条,同时也颇具舞台影响。"董永遇仙"戏较之"牛郎织女"戏流传更广,这既有政治教化的原因,也和两个传说故事不同的发展轨迹有关,也和"董永遇仙"故事对"牛郎织女"故事的融会、取代有密切的关系。
Two legends ＂The cowherd and fairy weaver＂ and ＂Coming across the fairy by Dong Yong＂ share many similarities,but the acceptance of them in operas is quite different.The relationship between the operas about ＂The cowherd and fairy weaver＂ and its legend is not very close.Actually,only the episode about Magpie Festival has been performed on stage.But operas about ＂Coming across the fairy by Dong Yong＂ are more popular and have been performed on stage often.Beside the purpose of educating the public,the integration and the replacement of the story ＂The cowherd and fairy weaver＂ also play a very important role for the different acceptance.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2014年第5期115-127,共13页
Drama:The Journal of the Central Academy of Drama
基金
教育部人文社会科学研究2009年度基金项目"中国戏曲文学本事取材研究"(项目编号:09YJA751033)的阶段性成果
关键词
“牛郎织女”
“董永遇仙”
戏曲
接受
比较
＂The Cowherd and Fairy Weaver＂
＂Coming Across the Fairy by Dong Yong＂
Chinese traditional operas
acceptance
comparison
