摘要
开放、活跃的当代艺术正处于一种"无名"的状态:多元主义为当代艺术的发展提供了重要的历史想象,但也造成了当代艺术美学的过剩和艺术伦理的危机。如何建立当代艺术与艺术史、与日常生活的对话关系,如何在全球化历史情境下建立"后殖民"的文化视野,如何清理"多元主义"的遗产与困境,如何对技术消费主义建立历史的现实的批判——对这些问题的解决是当代艺术能够超越"终结"并书写新的历史叙事的关键,也是重建当代艺术实践伦理的出发点。
Although open and active, contemporary art is trapped in a nameless situation. Pluralism provides a signifi- cant historical imagination for the development of contemporary art, yet, it causes the surplus of contemporary aesthet- ics and crisis of art ethics as well. It becomes significant for us to think over how to establish the dialogue relation a- mong contemporary art, art history, and daily life, how to build post - colony cultural view in the global historical context, how to clarify the remains and dilemma of pluralism, how to build a historical and practical criticism towards technology consumptionism. And the most important problem is to transcend the ＂ end＂ and to write new historical narration, which is also the starting point for rebuilding contemporary art practice ethics.
出处
《艺术百家》
CSSCI
北大核心
2014年第5期118-123,201,共7页
Hundred Schools In Arts
