摘要
易卜生后期创作开始转向戏剧人物的内心。《海达·高布勒》作为其后期作品之一,刻画了主人公海达厌倦社会,生活在恶中,同社会抗争,体验癫狂等。米歇尔·福柯疯癫史的撰写打开了人类精神的另一扇窗户,海达的疯癫体验造就了她的永恒。
Henrik-John.lbsen（1828-1906） paid the focus on the inner world of the characters in the later writing period. Hedda Gabler, created in that period, presented to the readers a figure who is confronted with the evil surroundings, retorting them, experiencing madness and achieving self-actualization. Madness resulting from the course of human civilization is forced to be soundless, for which Michel Foucault writes the history of madness to direct the civilization progress. It is Hedda＇ s madness experience that makes her being eternal in the literary history.
出处
《遵义师范学院学报》
2014年第5期56-58,共3页
Journal of Zunyi Normal University
关键词
易卜生
《海达·高布勒》
福柯
疯癫
Henrik＇John＇Ibsen
Hedda Gabler
Michel Foucault
madness
