摘要
随着性别研究的深入发展,博物馆的性别表征开始受到关注。社会性别为博物馆研究提供了一个有效的分析框架,通过对三寸金莲的"他者性"与"主体性"的考察,可以进一步凸显博物馆在性别意义生产中的重要性。以博物馆语境下的三寸金莲为研究对象,则可以考查菲勒斯中心主义对空间的宰制,厘清不同文化语境下三寸金莲的性别文化表征,稽核性别意义在妇女主题博物馆中的生成、传播与交流,进而揭橥三寸金莲展览中的诗学与政治学,探询妇女在博物馆语境下表征自我、建构主体身份的可能性。
As gender studies get further developed, the gender features of museums begin to receive people＇s attention. Social gender has become an effective analytical framework for the studies of museums. The examination of the otherness and subjectivity of lotus feet can further reveal the significance of museums in the generation of the meaning of gender. Through a close study of the lotus feet in the context of museums, we can investigate Phallocentrism＇ s dominance over space, clarify the gender features of lotus feet in different cultural contexts, and detect the significance of gender in the formation, publicizing and exchange of women-related museums. We can thus unveil the poetics and politics underlying the exhibition of lotus feet, and explore the possibilities for women to feature themselves and construct their subjective identities in the context of museums.
出处
《南开学报（哲学社会科学版）》
CSSCI
北大核心
2014年第6期50-56,共7页
Nankai Journal:Philosophy,Literature and Social Science Edition
基金
教育部人文社会科学基金青年项目(13YJCZH040)
关键词
三寸金莲
博物馆
表征
他者
Lotus Feet
Museums
Features
The Other
