摘要
当下对于“历史”概念的理解,并非全指历史学视野中的历史,还应涵盖文学、美学语境下的“历史”;根据所涉加拿大新移民华文小说的具体文本情境,它具体呈现为三种书写形态,即“文革书写”、家族书写和加华史书写;这三种历史书写形态,在北美华文文学、北美华裔文学、中国本土文学等文学语境的综合参照下,呈现出中既传承又变异的特征.具体来说,“文革书写”蕴含“隔洋视角”,并由此在文本中生成离散语境;家族书写除具有传统中国文学中的特指性与历时性特征外,又含有跨界性与未来性特征;加华史书写因历史时空的阻断与隔离,与前两种书写形式相比,脱离了这种主观式的俗套,最大可能性地接近于“不即不离”的艺术理想.
In contemporary cultural field,the concept of 'history'not only refers to historical perspective,but also covers literary and aesthetic context.It often appears three specific written forms which are the writing of memories of the Cultural Revolution,the writing of Family memories and the writing Chinese history in Canada,that depending on the texts.In the comprehensive reference to the North American Chinese Literature,the Ethnic Chinese Literature in the North American and the Chinese Native literature,they exhibit both inheritance and variability characteristics.
出处
《暨南学报（哲学社会科学版）》
CSSCI
北大核心
2014年第9期95-101,162,共7页
Jinan Journal(Philosophy and Social Sciences)
基金
国家社会科学基金重大项目《百年海外华文文学研究》(批准号:11&ZD111)
暨南大学海外华文文学与华语传媒研究中心青年项目《比较视野下的加华史书写研究》(批准号:13JDQNXM002)
关键词
加拿大新移民华文小说
历史书写
文革书写
家族书写
加华史书写
Canadian new immigrants,Chinese fictions,the cultural revolution writing,family memory writing,Canada Chinese history writing
