摘要
由于香港独特的地理位置和历史原因,对于香港地区的电影创作及理论研究,通常都独立于中国内地电影理论创作研究框架之外。然而事实上,香港本土的电影学术研究不仅与大陆的电影研究联系紧密,是中国电影学术发展史上的重要组成部分。同时,因其内容丰富,具有鲜明的地域特色,且贴近电影创作,东西文化杂陈,研究视野开阔,又成为中国电影研究体系中最具个性的一环。从电影初到香港并出现相关报刊伊始,历数具有代表性的电影出版物、电影研究、理论派别、阶段性特征等,以期描绘出20世纪上半期香港本土电影研究发展的面貌与特征。
Due to its geographic location and also for historical reasons, film making and film theory in Hong Kong remains separate from the framework of China's Mainland. However, the film studies in Hong Kong is closely connected to that of China's Mainland and constitutes an integral part of China＇ s film studies. It claims a unique position in China＇ s film studies with its rich content, distinctive local features and close relationship with film making. It also distinguishes itself for its broad research scope and a harmonious blending of the east- ern and the western cultural elements. This article looks back on the beginning of Hong Kong cinema when films first appeared in newspapers and magazines and seeks to examine the representative film publications, film studies, theoretical schools, and salient characteristics of different stages, with a view to describing the e- volution of local film studies in Hong Kong over the first half of the 20th century.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2014年第5期29-41,共13页
Journal of Shanghai University(Social Sciences Edition)
关键词
香港本土电影研究
电影学术史
香港电影
Hong Kong local film studies
history of China＇ s film studies
Hong Kong Cinema
