摘要
巴黎市长Bertrand Delano?在2010年初提出了改造巴黎河岸的设想,在经历了可行性研究,环境影响评估,民意调查等等初期准备之后,项目确立了基本的目标和原则:除了必要的清理,修复,左右两岸都会做一些调整,关闭左岸从奥赛博物馆到布朗利河岸博物馆Musée du Quai Branly之间2.3公里的机动车道,将其改造成文化,休闲,运动,生态为主题的市民活动场所。(这四项主题完全来自于民意调查的结果,诸如轮滑场地,马戏团,咖啡,儿童乐园之类的点子,都具体引用实施。)整个改造项目必须遵循一个首要的原则:可逆性。这就意味着所有的改造必须是临时性的,可快速组装、拆卸、运输的;同时不可以改变机动车道的路面等等基础设施,简言之,就是非常字面的两个字:可逆,一切都要可以退回到从前的样子。这让人想到了舞台,在一场大戏演完后重现空的空间。有趣的是临时性改造在法语里可以称作Scénographie,恰好就是舞台装置术,是城市的舞美。
In early 2010, Paris Mayor Bertrand Delano? first proposed renovating the banks of theSeine. After conducting viability studuesm sustantainability reports, and citizen opinion polls, the general consensus was that it was necessary to do more than simply clean-up and repair the Left and Right Banks. They decided to convert the 2.3 kilometer stretch of road that connects the Musay d'Orsay to the Musée du Quai Branly from car lanes into a public space that combined the cultural, recreational, leasure and environmental needs of citizens.These four themes themselves had been decided through a public survey, and were realized through locations such as a skateboard park, circus area, coffee shops and children's play areas. The underlying theme of all the installations was reversibility. In other words, all of the interventions were temporary, and could be quickly built and dismantled as necessary. Interestingly, in French, this style of reversible architecture was called 'scénographie', drawing attention to the architectural inspirations of the theater and the city as stage.
出处
《世界建筑导报》
2014年第2期16-17,共2页
World Architecture Review
