摘要
摆手堂是土家族先民的宗教场所,其祭祀仪式包括:敬祖仪式、降祖仪式、颂祖仪式及茅古斯舞表演等。作为一种建筑符号,摆手堂具有祖先崇拜的文化内涵,它的产生是以万物有灵论为心理基础,以祖先的丰功伟绩为实践基础,并在政治权利对其的利用与祭祀活动过程中巩固与发展的。
Baishou temple was the religious venue for the Tujia ancestors.The ritual includes respecting ancestors, falling ancestors, singing ancestors and dancing Maogusi etc.As a kind of architectural symbols, Baishou temple has the cultural connotation of ancestor worship. The generation of the culture is on the psychological basis of animism, on the practical basis of the ancestors’ great achievements.And the culture was consolidated and developed in the process of utili-zing the political rights and worship activities.
出处
《北方民族大学学报（哲学社会科学版）》
CSSCI
2014年第5期123-125,共3页
Journal of North Minzu University(Philosophy and Social Science)
基金
重庆市社会科学规划项目"摆手舞:土家族民间传统舞蹈的人类学研究"(2010QNRW55)
关键词
土家族
摆手堂
祖先崇拜
宗教人类学
Tujia
Baishou Temple
Ancestor Worship
Religious Anthropology
