摘要
本文对"江西省广昌县的孟戏演出有明万历年间的海盐腔遗存"这一看法提出疑问。从广昌孟戏"孟姜女送寒衣"经典唱段的源流论证其为弋阳腔戏文,并从长短句体戏曲曲牌与声腔之间的关系阐述孟戏演唱的特点,认为方言和民间歌谣旋律才是决定声腔属性的主要因素。
The article raises doubts about the view of＂the survival of Haiyan tune in Meng Opera of Guanchang in Jiangxi＂and demonstrates that in Meng Opera of Guanchang, Geyang tune was used instead, which was based on exploring the sources of the classic aria of＂Meng Jiangnu sends clothes for Winter＂. Besides, this article also illustrates the characteristics of the singing in Meng Opera from the realtionship between Qupai and the tunes, which indicats the main factors for the features of the tune depend on dialects the melody of folk songs.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2014年第4期80-91,共12页
Drama:The Journal of the Central Academy of Drama
基金
2014年度教育部人文社科研究规划基金项目"元明清曲谱与南戏传奇关系研究"(项目编号:14YJA751008)的阶段性成果
关键词
孟戏
海盐腔
弋阳腔
遗存
Meng Opera, Haiyan tune, Geyang tune, the survival
