摘要
十七年音乐在新中国音乐发展史上属于"特例",既非建国前的"十里洋场",亦非文革时代的"高快硬响"。音乐创作对传统的"爱情"主题进行了重新阐释与定位,将其放置到革命或者建设社会主义的大语境下来论述,使爱情叙事打上了鲜明的政治烙印。但创作者并非完全听从政治指令的艺术木偶,他是以一种更为隐性的方式将创作的触角伸向少数民族题材的音乐,以此寻求"宏大叙事"与"个人情感"之间的平衡。创作出了明显区别于其他时代的爱情歌曲,具有特别的审美价值。
Seventeen years＇ music history in the music of the People＇ Republic of China is the ＂special case＂, which has neither ＂glamour＂ before the founding of New China nor a ＂high rapid hardening ring＂ of the Cultural Revolution . Music creation interprets and positions traditional love theme, placing it down to larger context of the socialist revolution and construction, leaving love narrative with distinct political marks. But the creator did not completely follow the art puppet of political instruction. Instead he recessively stretches his creation to toehold minority theme music, thus seeking the balance between ＂grand narrative＂ and personal ＂emotion＂ and producing love songs significantly different from those of his own times,thus with a special aesthetic value.
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2014年第5期146-149,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
基金
国家社科重大项目(12&ZD012)
教育部人文社科青年基金项目(11YJC840013)
安徽省人文社科项目(2011SK425)
关键词
十七年音乐
爱情歌曲
政治语境
创作特点
社会互动
seventeen year＇ s music
Love songs
political context
creative characteristics
social interaction
