摘要
《艺术界》探索在变动的创作及政治领域中艺术存在的可能,而拉丽莎·桑索尔证明了在话语与空间这组核心关系之中,总是存在出人意料的别样选择。在她的短片《国家大厦》（2012年）中,她为巴勒斯坦和以色列提供了一个可行的两国共处方案,这个方案并非从传统的地图学角度来分配领土——而是建造一座由全体城市进驻的超级摩天大厦。实现这个异想天开的方案最大阻碍是建筑上的困难还是现实中的官僚政治,人们不得而知。
As LEAP explores possibilities for art＇s existence in zones of creative and political instability, Larissa Sansour proves that there are always daring alternatives for this core relationship of discourse and space. With the short video Nation Estate （2012）, she proposes a viable two- state solution for Palestine and Israel not by divvying up territory in the traditional cartographic sense, but rather by erecting a massive skyscraper in which entire cities take over individual floors. If the task seems quixotic, it is unclear whether the greatest obstacles in its path would be architectural or bureaucratic in nature.
出处
《艺术界》
2014年第4期106-115,共10页
