摘要
依据新批评的审美视角,运用谢赫的绘画"六法",观照元代画家倪瓒与民国瓷绘家汪野亭的山水画作,从"经营位置"与"气韵生动"两个方面,比较倪、汪二人的山水画作,借引《二十四诗品》的"飘逸","疏野"两种美学风格加以总结,比较二人的绘画风格,发现山水画的真美。
Ni Zan is an artist in Yuan Dynasty while Wang Yeting is a porcelain painter in the period of the Public of China.From the perspective of New Criticism,this paper observes the landscape paintings by Ni Zan and Wang Yeting through the Six Painting Method by Xie He.In order to find out the true aesthetics of Chinese landscape painting,the two painters＇ drawings are compared from the angle of ＂detached＂ and ＂quiet＂,two terms borrowed from ER Shi Si Shiping.
出处
《重庆三峡学院学报》
2014年第4期66-70,共5页
Journal of Chongqing Three Gorges University
关键词
倪瓒
汪野亭
飘逸
疏野
以诗喻画
Ni Zan
Wang Yeting
detached
quiet
interpreting painting through poem
