摘要
对比是浪漫主义文学的艺术原则之一。《巴黎圣母院》中大量运用对比描写手法 ,不仅源于雨果自己所阐明的浪漫主义美学原则 ,还根植于许多启蒙主义。
Contrast is the artistic principle for the romantic literature. In my view,contrasts in 'Note-Dame De Paris' are not only based on the aesthetic principle that expounded by Hugo himself, but also takes its root in the historic view held by many enlightenists and romanticists, which is called the opposite dualism of nature and civilization.
出处
《黄冈师范学院学报》
2001年第6期39-41,共3页
Journal of Huanggang Normal University
