摘要
黑龙江满族民歌中普遍存在着与“三”这个数字有关的现象 ,如三个乐节、三个乐句、三个乐段、大三度、小三度、三拍子歌腔以及歌词中经常出现的三个字、三句话等等。采用整体性的分析方法 ,追寻“三”这个数字同黑龙江满族整个历史、文化、风俗、神话、民族习惯之间的内在联系和关系 ,对满族民俗文化进行整体考察 ,探寻满族生活中无所不在的理性精神“三”的文化意义之所在 ,可以说明满族这个民族“理所当然”
This paper tried to research the internal links and correlations between the musical phenomenon in Manchurian folk songs (e.g. three musical versions, three musical sentences, three musical paragraphs, three big jumps, three small jumps, three words and three sentences that often appeared in the song versions, etc.) and the history, culture, customs, myths, habits of the Manchu in Heilongjiang province. Analyzing in a comprehensive method, this paper argued that there was an existence of the concept of 'three' in all aspects of Manchurian culture, which can be based on to indicate the Manchurian people's particular way of cultural psychological expression.
出处
《哈尔滨工业大学学报（社会科学版）》
2002年第2期110-113,共4页
Journal of Harbin Institute of Technology(Social Sciences Edition)
关键词
黑龙江满族民歌
"三"的现象
文化
Manchurian folk songs, the phenomenon of 'three', culture
