摘要
20世纪初 ,“同光体”与“南社”的宗宋、崇唐之争 ,是规模唐音或宋调的旧体诗创作的绝响 ,也是现代宋诗研究的起点。受新文学运动的影响 ,现代学者对于宋诗的评价长期偏低 ,并为唐、宋诗优劣论所困。到 80年代后 ,人们方逐渐摆脱成见束缚 ,对宋诗特征及其艺术特质进行了更深入、更全面的探讨。
At the beginning of the 20 century, the competition between Tang poetry and Song poetry preferred respectively by the 'Tong Guang style' and 'NanShe' is an unprecedented event of the poetry writing in old styles and also the starting point of modern study of Song Poetry. The New Literature Movement led to long low appraisals by contemporary scholars strained in the dispute over the superiority of Tang poetry to Song poetry. It was after the 1980s that there was deeper and more comprehensive explorations for the artistic characteristics of Song poetry.
出处
《淮阴师范学院学报（哲学社会科学版）》
2002年第2期210-218,共9页
Journal of Huaiyin Teachers College(Social Sciences Edition)
关键词
唐宋诗之争
唐诗
宋诗
诗歌史
the competition between Tang poetry and Song poetry
Tang poetry
Song poetry
the history of Song poetry
