摘要
“清”在《静志居诗话》中是一个比较重要的批评术语和美学观念 ,与魏晋和明代“七子派”的“清”的内在精神相比显示出一定特色。在朱彝尊的“清”的美学思想中渗透了七子派的一些色彩 ,一定程度上保留了“清”的现实批判精神 ,这一点是很可贵的。但同时我们可以发现 ,“醇雅”作为一种强势美学观念对它的改造。王士祯在对“清”的接受和改造中只发挥了胡应麟“韵”的那部分 ,抽空了诗歌应该具有的现实精神。
Purity is an important critical term and aesthetic concept, which has some in common with writing in Weijin period and seven writers' in Ming dynasty. In the 'purity' aesthetic concept, there permeates some features of seven writers' keeping purity's realistic critical spirit which is really valuable. However, at the same time, we can find that 'spiritual purity', as a strong aesthetic concept, has reformed it. Wang Shizhen has kept 'mystical rhythm' in his accepting and reforming the concept of 'purity' and got rid of the realistic spirit in poetry.
出处
《辽宁师范大学学报（社会科学版）》
2002年第2期64-68,共5页
Journal of Liaoning Normal University(Social Science Edition)
关键词
清
格调
神韵
胡应麟
purity
style
mystical rhythm
Hu Yinglin
