摘要
席勒的审美游戏说首先是以康德的先验论为基础,再对之进行了人性的还原;游戏冲动的关键是对外观的纯粹观照,从而也是对实在的离异。正由于这个原因,席勒所谓的审美世界才与整个社会的统一趣味相背离,从审美状态到道德状态只能是相互颠倒的幻想,审美王国也只能是幻影式的空中楼阁。
Schiller抯 aesthetic game theory first have kant抯 transcendentalism as its bases and then restore the nature of humanity of kant抯 theory. The key point of the theory is a pure portrait of the outer looks and therefore is a deviation from the reality. It is just because of this reason that schiller抯 so-called aesthetic world is contradictory to the unitary conventional social in tersest and thus his aesthetic kingdom can only be called a visional castle in the air .
出处
《武汉科技学院学报》
2002年第2期9-12,共4页
Journal of Wuhan Institute of Science and Technology
