摘要
新时代中国电影学派的构建无疑离不开实践维度。立足何种语境,基垫于什么样的主导创作方法,以怎样的实践美学为引领,显然都需要充分认知、借鉴和探讨。在《战狼2》《红海行动》《我不是药神》等电影类型化实践的有益探索及不少国产电影因娱乐性、商业性彰显而思想性、艺术性缺失饱受诟病的背景下,近年印度电影以现实与浪漫的成功交融在中国内地屡屡叫好叫座的观影表现无疑提供了某种启示。探析多部印度电影的热映因由,溯源浪漫现实主义传统的文化基因、美学特征与结构手法,明确提出浪漫现实主义传统的现代性呈现实为中国电影学派实践维度的首要之选,显然于国产电影的未来创作及发展振兴大有益处。
The construction of Chinese film school in the new era is undoubtedly inseparable the practical dimension. Based on what kind of context,dominant creation method,and what kind of practical aesthetics being the guidance, it obviously needs to be fully recognized,referenced and discussed.In the context of the beneficial exploration of genre films such as Wolf Warriors Ⅱ ,Operation Red Seap and Dying to Survive,many domestic films have been criticized for lacking of ideological content and artistry because their excessive entertainment and commercialization.The successful integration of reality and romance in Indian films which appalling and well -known market performance has undoubtedly provided some enlightenment to the audience in China's Mainland in recent years.Undoubtedly,a analysis of the reasons why many Indian films are popular in the Chinese mainland,and a comparative analysis of the cultural causes,aesthetic features and structural techniques of the traditional romantic realism films,clearly putting forward that the modern presentation of romantic realism is the first choice of the practical dimension of the Chinese film school,which will be of great benefit to the future creation,the development and revitalization of domestic films.
作者
峻冰
JUN Bing(The Department of Film &Television,Sichuan University,Chengdu,Sichuan 610064)
出处
《艺术百家》
CSSCI
北大核心
2018年第5期141-150,共10页
Hundred Schools In Arts
