摘要
"光明意象"作为丁玲延安时期小说代表作的一种创作倾向,折射出丁玲进入延安后消沉心绪的"自我克服"。借助巴赫金复调小说理论,尝试从修辞层面探讨丁玲延安前期代表作《我在霞村的时候》的创作意图,分析文本中的经典对话片段,可发现"光明意象"被感知为作者革命选择的缘由。
As one artistic tendency of Dingling’s magnum opus in Yan’an period, the image of light reflects her selfovercoming of depression after entering Yan’an. With Bakhtin’s Polyphonic theory, the article discusses the creation intention of Dingling’s The Time When I was in Xia Village from a rhetoric perspective, with the conclusion that the image of light is perceived as the author’s revolutionary choice by analyzing its classic conversations.
作者
黄丹銮
HUANG Dan-luan(Shantou Radio and TV University,Shantou,Ouangdong,China,515041)
出处
《广东开放大学学报》
2018年第6期55-60,共6页
JOURNAL OF GUANGDONG OPEN UNIVERSITY
