摘要
民俗文化与当代油画看似属于两个完全不同的独立体系,实则不然,二者在中国文化艺术的发展过程中始终处于相互交融与渗透的状态。油画创作者深受生于斯、长于斯的民俗沃土影响,却形成了异于本土艺术传统的审美品格、认知与心性,进而在油画创作中有着极富感染力的艺术呈现。以民俗文化在中国油画历史语境下所产生的背景为切入点,选取当代油画中向民俗文化借鉴并重构与转换的油画作品进行具体分析,有助于厘清传统民俗文化符号和油画语言之间的异质同构关系,进而对探索民俗文化符号的相关理念及表现形式在当代油画中所形成的审美视觉语言的意义颇有助益。
It seems that folk culture and contemporary oil paintings belong to two completely different and independent systems,but in fact,they are always in a status of mutual integration and infiltration in the development of Chinese culture and art.Oil painters are deeply influenced by the folklore they live in,but form an aesthetic character,cognition and nature that are different from native art tradition,and then have a very infectious artistic expression in their oil painting creation.Taking the generating background of folk culture in the historical context of Chinese oil painting as the starting point,selecting for analysis the oil paintings in contemporary time that learn from,reconstruct and transform the folk culture,are helpful for clarifying the heterogeneous isomorphism between the folk culture symbols and oil painting language,and then helpful for exploring the significance of related folk culture symbols and their expression formed in contemporary oil paintings.
出处
《民俗研究》
CSSCI
北大核心
2019年第1期117-121,158,159,共7页
Folklore Studies
关键词
民俗文化符号
当代油画
重构与转换
folk culture symbol
contemporary oil painting
reconstruction and transformation
