摘要
南山寺作为五台山佛教仪式音声的北派代表,不仅具有传统的诵经音声,而且具有笙管笛的器乐供养音声,既彰显出南北区域佛教仪式音声的诸多不同,又彰显出僧人破戒奏乐伎乐供养的僧尼化遗存。文章以五台山南山寺晚课仪式的过程为例,详细地分析了其音声类型及其应用特征,提出了对仪式与音声之关系的看法。
As a north representative of the Mount Wutai Buddhism ceremony soundscape,the Nanshan Temple not only has the traditional chanting voice,but also covers the instrumental sounds with Sheng,Guan and Flute. It highlights many differences in the Buddhism ceremony soundscape between the north and the south area,and reveals some remains which the Buddhism monks and nuns had broken their commandments to play a musical instrument for making offerings to the Buddha. The article explains the detailed process about the Nanshan Temple’s Evening Chant and analyses the kinds of the soundscape concretely,in addition to,the using characteristic about it in order to form deeper perception about the relationships between ceremony and sounds.
作者
李岩炜
孙云
LI Yan-wei;SUN Yun(Shanxi Normal University,Linfen 041000,China;Xinzhou Teachers University,Xinzhou 034000,China)
出处
《忻州师范学院学报》
2018年第6期28-36,共9页
Journal of Xinzhou Teachers University
关键词
南山寺
晚课
仪式音声
器乐供养
the Nanshan Temple
the Evening Chant
ceremony soundscape
instrumental offering
