摘要
灯檠即灯架,是宋辽金时期社会各阶层广泛使用的照明用具。随着大量宋辽金墓葬的考古发现,墓室装饰中出现了大量砖雕或壁画的灯具,这些墓葬图像更加直观地展示了宋辽金时期平民使用的灯具形象。本文从含有灯具形象的墓葬入手,首次系统地梳理了这一时期墓葬装饰中的灯檠,由此展开三方面讨论:其一,依据墓葬装饰灯具图像形制的差异,将其分为三个区域,即河南及邻近地区、河北地区、山西地区,可知墓葬装饰具有一定的区域性特点和工匠系统。其二,分析了砖雕灯具和燃灯者图像组合的源流。据统计,共计13座墓葬中出现了灯檠与燃灯者图像组合。最早可追溯至唐中期,唐末五代图像组合成为定制,宋辽金时期是图像模式的盛行时期。其三,以砖雕灯具上摆放的灯盏和燃烧痕迹为切入点,探究这一时期平民墓葬的丧葬仪式和观念。
Lamp stands were widely used in all social classes in the Song,Liao,and Jin dynasties. Archaeological excavations have discovered images of lamp stands in brick reliefs and mural paintings of tombs,which directly demonstrate the lamps used by common people during the Song,Liao and Jin period.This article analyzes the images of lamp stands in tombs of that period.According to the shapes of lamps,it divides those tombs into three groups from different areas,respectively Henan and its neighboring areas,Hebei and Shanxi.This article then studies the evolution of the combination of images of lamps and lamp holders and explores the funeral rituals and concepts in common people's tombs during that period based on the lamps and their burning traces.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2018年第11期81-92,共12页
Journal of National Museum of China
基金
国家社会科学基金艺术学一般项目"佛教美术演变进程-丝绸之路中外美术比较"(15BF065)的成果之一
关键词
宋辽金墓葬
灯檠
燃灯者
灯盏
Song,Liao and Jin tombs
lamp stands
lamp holder
oil lamp
