摘要
陈忠实在《白鹿原》的创作中 ,以大胆探索、勇于实践的艺术拓进精神 ,于总体写实的基础上 ,将西方现代主义、后现代主义艺术要素渗透于创作机制 ,把现实与超现实、理性与非理性、真实与梦幻组接在一起 ,融合为一体 ,绘就一幅色彩繁复而特异的民族历史画卷。其象征主义、魔幻现实主义等艺术手法的熟练而极富表现力的运用 ,使作品的主题得到深化 ,使作品的艺术魅力得到增强 ,使我们充分领略到作者“放开”了的“艺术视野”
Chen Zhongshi, with an art progressive spirit of bold probe and practice, infiltrating the artistic elements western modernism and post-modernism into his creative mechanism of White Deer Plateau , merging reality and surreality, rationality and non-rationaltiy, truth and dream into a organic whole, drew a nation's grand historical picture with extraordinary and splendid color. The skillfully and expressively utilization of the artistic technique of symbolism and magical realism in White Deer Plateau deepened the theme, intensified the artistic charming, and also enabled our readers to fully appreciate the writer's opened artistic vision.
出处
《湖州师范学院学报》
2001年第4期41-44,共4页
Journal of Huzhou University
关键词
《白鹿原》
艺术创新
象征手法
魔幻现实主义色调
小说
White Deer Plateau
artistic creativeness
symbol technique
color and tune of magical realism
