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回归鲁迅——邓小平文艺思想与鲁迅文艺思想之比较

Returning to Lu Xun
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摘要 本文在作者已发表的《毛泽东文艺思想与鲁迅文艺思想之比较》的基础上,又将邓小平文艺思想引入与鲁迅文艺思想进行比较,从而展示了从鲁迅经毛泽东到邓小平这一马克思主义文艺理论在中国接受与发展的历史过程。三人的文艺思想有着诸多的根本共同点,这正是其作为马克思主义文艺理论的质的规定性;同时三者亦有细微差别,而这则为时代的特质与任务所决定。他们的文艺思想都是时代的产物,都是历史的必然发展,而这也正昭示出马克思主义文艺理论在中国是在变化着和发展着。 On the basis of 'Comparison between Mao Tsetung's and Lu Xun's Thought of Literature and Art', the writer ushered in 'Den Xiaopin's Thought of Literature and Art' and compared it with Lu Xun's, thus unfolding a historical process of Marxist theory of literature and art being accepted and developed in China from Lu xun to Mao Tsetung to Deng Xi-aoping. The three thoughts share common points in many ways, which is qualitatively decided by Marxist theory of literature and art, and they also have subtle differences, which are decid-ed by the features and tasks of the then era. Their thoughts of literature and art are products of the times and inevitability of the development of the history. It is also an representation of change and development of Marxist theory of literature and art in China.
作者 李春林
出处 《淮南师范学院学报》 2001年第1期87-94,共8页 Journal of Huainan Normal University
关键词 鲁迅 毛泽东 邓小平 文艺思想 马克思主义文艺理论 中国 文艺服务对象题材 文学作品 文艺批评 Lu Xun Mao Tsetung Den Xiaoping thought of literature and art theory of Marxist literature and art.
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参考文献3

  • 1马龙潜等著..论邓小平的文艺思想[M].北京:北京出版社,1994:279.
  • 2彭定安著..走向鲁迅世界[M].沈阳:辽宁教育出版社,1992:861.
  • 3关于鲁迅研究的通信[J].鲁迅研究月刊,1996(12):59-62. 被引量:7

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