摘要
钱钟书谈艺衡文 ,往往是从整体的角度出发 ,把文艺对象放在系统中加以研究。整体优于部分的总和、整体不可分割、局部依赖于整体、整体的结构极为复杂———整体思维的种种形式都体现于钱钟书的《管锥编》中。
Viewing as a whole, Qian Zhongshu puts his study object in a whole system when studies literature and art. The entirety is better than the sum total of the parts and cannot be broken up, while each part relies on the entirety. The construction of the entirety is complicated, and integrative thinking ways are shown in Guan Zhui Bian.
出处
《阴山学刊》
2001年第3期15-18,共4页
Yinshan Academic Journal
