摘要
文学的“效应”不同于通常所说的“效果”、“反应”等平面概念。作为一个兼文兼史兼哲的立体范畴 ,其特征至少有三 :(一 )它确指文学本身四要素的相互作用、多向建构和共同生成 ;(二 )它的运动体现出文学作为历史所特有的、必然的“净化律”规范 ;(三 )它的导向或理想化终端 ,便是哲学高度上的“人的实现”。通过如此考察 ,我们会发现 :以“效应”的视角来切入文学 ,文学便具有了另种崭新的存在面貌。这基本可称作“效应的文学观”的理论探讨 ,对于我们进一步加深对文学的全面、完整的认识 ,无疑有着积极的参鉴意义。
The author holds that literature's effect is different from 'effect' reactionplane conception that we usually say. As a stereoscopic category including literature history and philosophy. It has at least three charactersitics. First,it actually refer to the interaction, multi-construction and co-generation of the four essential factors of literature. Secondly,its movement embodies the peculia, unavoidable category of purification of literature as history.Thirdly, its guide or ideal destination is the 'realization of human being' on the level of philosophy. Though such an investigation, we find that literature has another brandnew aspect of existence if we study literature from the 'effect'. Such a research which can almost be called 'literature view of effect' has an active significance of reference to further deepen the whole and intergrated knowledge of literature.
出处
《黄冈师范学院学报》
2001年第2期47-51,共5页
Journal of Huanggang Normal University
关键词
净化律
文学本体论
文艺理论
文学理论
文学效应
哲学
effect
the joined point of relationship
the law of purifying
realization of human being
the ontology of literature
