摘要
文章通过戴望舒、李商隐的情诗比较，力图揭示戴望舒诗歌的传统渊源。作为乱世中的苦难诗人，从深层讲，悲苦的末世情怀是戴承继李的内在因素。至于戴望舒情诗的感伤特质，则从他与李商隐相似的爱情观和情诗氛围的营构得以体现，其区别则在情感和情绪分别成为李、戴表现的不同侧重点。另外，由于他们客观上面临着相同的艺术上的反叛任务，因而导致俩人对含蓄诗美的追求，其结果是造成他们情诗艺象的多义性，略有不同的是，李商隐爱用典，而戴望舒偏爱传统意象。
This paper tries to reveal the traditional origin of Dai Wang - shu's love poems through a comparison of Dai Wang - shu's and Li Shang - ying's love poems. As a distressed poet in the troubled times, the sorrowful feeling at the end of the century is the internal factor that Dai inherited from Li, The special sentimental feature of Dai's love poems is similar to that of Li's with the difference between them lying in the fact that Li and Dai laid their particular emphasis on senses and sentiments respectively. On the other hand, they shouldered similar rebellious tasks in arts, which made them both chase the reserved beauty of poetry and resulted in several means in the images of their love poems. The slight difference is that Li loved to use models while Dai preferred to employ traditional images.
关键词
末世情怀
戴望舒
李商隐
爱情诗
诗歌
诗意美
feelings at the end of the century
sentimental feelings
reserved beauty of poetry.
