摘要
审美活动虽然是人类最具个性特点的精神活动 ,但民族共同的审美心理和审美意识是客观存在的。中国地域辽阔 ,形成了南北文化差异和审美意识差异 ,然而 ,在进入文明社会之门时北方的强势文化更多地左右了中国人审美意识的发展。中国人原初的审美意识通过概念的定型化和符号化以后 ,整合为重内心体味而轻形体视觉的审美思想 ,给予中国文学以十分深刻的影响 。
Although aesthetic activity is the most individualized mental activity,the common aesthetic mentality and awareness shared by a nation are objectively existent.The vast territory of China results in the differences of culture and aesthetic sense between the north and the south.However,the aesthetic development of chinese is in greater degree dominated by the stronger northern culture before the civilized society is well formed.Through conceptual finalization and symbolization,the primitive aesthetic sense of Chinese has integrated into the aesthetic ideology which attaches great importance to mentally internal feeling rather than physical vision and exerts quite far-reaching influence on Chinese literature.As a matter of fact,the aesthetic moralization during the Spring and Autumn Period is a kind of inheritance and development of the primitive aesthetic sense of the Chinese people.
