摘要
刘勰的“隐秀”论，强调“隐”与“秀”的契合和“余味曲包”，这些特点已符合意境的审美要求，因此，隐秀就是意境的最初形态。但隐秀的“秀”是一种局部的美，意境的“境”是一种整体的美；隐秀通常指一种含蓄的风格，意境指的是作品的韵味与风神，隐秀为意境的形成奠定了基础，意境是对隐秀的发展。
Chinese ancient literati Liu Xie's theory of implication behind direct object plays emphasis on the melting of the implication behind direct object and the lingering charm in an indirect way,which just meets the requirements of the artistic conception in aesthesis, therefore , implication is the primary form of artistic conception. However, implication behind direct object reveals just the partial beauty in a certain way wherease the artistic conception reflects the entirety of abstract beauty. implication usually refers to the embodiment of writing style while artistic conception, the lingering charm and aesthetic style. Therefore, implication behind direct object lays the foundation for the artistic conception while the later shows the development of the implication through direct object.
出处
《北京邮电大学学报（社会科学版）》
2001年第2期51-55,共5页
Journal of Beijing University of Posts and Telecommunications(Social Sciences Edition)
关键词
隐秀
古代文艺美学
美学研究
中国
意境
意象
implication
tortuous inclusion of aftertaste
aesthetics of literaure & art
aesthetical study
