摘要
苏轼的美学思想主要表现在三个方面:首先从其文道观来看,"辞达"的文艺观完全跳出了传统的文道关系论,既肯定了文艺的实践性价值,也强调了文艺自身独立的价值;其次从其自然观来看,苏轼具有形而上本体意义的自然观,破除了性情抒发与艺术技艺之间的对立,强调了人的情感的重要性;再次,苏轼"超然物外"的审美境界观,熔铸成古代士大夫文化人格的典范。
The aesthetic thought of Su Shi represents in three main domains. First of all,in his concept of writing and truth,the presentation of the literary view of ″ Ci Da″（expressiveness）is entirely out of the traditional relationship theory of writing and truth,and it stresses both the functional value and its independent literary value;secondly,in his concept of nature,Su Shi considers nature from the perspective of metaphysical ontology,in which it eliminates the opposition between the temperamental expression and artistic skill, and emphasizes the major role of one ＆#39; s sentiment. Finally,his aesthetic concept of Jin Jie（ state）of ″ Chao Ran Wu Wai″（transcendence）forges the model cultural personality of ancient Chinese scholar-bureaucrats.
出处
《中国石油大学学报（社会科学版）》
2014年第3期59-65,共7页
Journal of China University of Petroleum (Edition of Social Sciences)
基金
国家社会科学基金青年项目(12CZX073)
湖北省重点学科"艺术学理论"立项建设性成果(2013XKJS)
关键词
苏轼
辞达
自然
超然
Su Shi
Ci Da
nature
transcendence
