摘要
国内知识界自1960年代开始,便开始了有关中琉文化交流史的研究,但是,关于冲绳文学方面的研究却直到80年代后期才开始少量出现,且仅限于"民族音乐"、"乡土歌谣"这一范畴。对于中国的冲绳文学研究中"冲绳文学"这一概念本身的长期空白,以及现阶段冲绳音乐文学研究领域中所伴随的强烈阶级性色彩、去历史化倾向,乃至将研究对象置于美学价值中去表象和消费等问题,并不能仅仅把其原因简化归结为冲绳文学本身所面临着的定义之难和学科的局限性问题,而是应该将其看作是在各种错综复杂的历史背景综合作用之下最终导致的结果。
Early in 1960s, the domestic intellectual community started the research on the history of exchange between China and Ryukyu Islands. However, only until late 1980s, few studies of Okinawa literature had been made, which were limited to folk songs and music. For a long period of time, the definition of Okinawa literature has remained blank. Besides, other problems in Okinawa literature study include strong class nature, de-historization tendency as well as the phenomenon of presenting the research subject in aesthetic value. Reasons for such problems do not simply lie in the difficulty in defi- ning Okinawa literature or the limitation of the subject. As a result, we should view the results from the perspective of complex historical background.
基金
天津职业技术师范大学外国语学院2013年度科研培育项目资助的阶段成果"中国的冲绳文学研究状况考察"(wyk201304)
关键词
冲绳文学
音乐文学
琉球
中国
Okinawa literature
the study of Okinawa literature
Ryukyu Islands
China
