摘要
闽北大腔戏作为我省乃至全国至今保存最原始的一种提线傀儡戏艺术形态,融汇着浓郁的宗教精神。大腔戏的宗教性充分体现在它的宗教形态、行业信仰以及它与民俗礼仪的关系上。在从明清至今的漫长的历程中,大腔傀儡戏时时处处发挥它独特的宗教功能。闽北大腔戏是世俗的宗教祭礼,以最大众、最低俗、乃至最亵渎的神明形式,宣扬宗教思想,强化宗教精神,把宗教文化的种子播洒在每一位老幼妇孺的心田。
As one of the most original conservation in Fujian and even in the whole country, large cavi- ty puppet play in north Fujian blends strong religious spirit. The religious spirit of large cavity puppet fully embodies in its religious beliefs shape, its industry belief and its relationship with the folk customs etiquette. Since the Ming and Qing dynasties, large cavity puppet play has been taking its unique religious function. Large cavity puppet play in north Fujian is sacrificial rites of the secularity, with the most vulgar and farcicality, and even the most blasphemous form, participating in religious activities, propagating religious ideas, strengthening religious spirit, and widely spreading religious culture.
出处
《凯里学院学报》
2014年第4期36-39,共4页
Journal of Kaili University
基金
2013年度福建省社科规划项目(项目编号:2013B168)
关键词
世俗
祭礼
闽北大腔戏
宗教性
secularity
Sacrificial Rites
Large Cavity Puppet Play in North Fujian
Religiousness
