摘要
近年来,无论是学者、普通民众、还是传承人,在工作中都常用"原生态"来形容非物质文化遗产。因此田野考察也就成了我们研究非遗文化的重要途径之一。也同样因为人们对原生态的过度重视而导致在非遗的传承中固步自封,难以突破。以界首彩陶为例,从原生态与衍生态的角度进行探析对如何才能真正实现非遗文化的有效传承具有借鉴意义。
In recent years, “original” is commonly used to describe the intangible cultural heritage in the work of scholars and common people, or inheritance. So the field invesfigation has become one of the important ways of intangible culture in our study. But the excessive focusing on original ecology has caused stand still in the intangible heritage and is difficult to break through. The article took painted pottery of Jieshou as a case to explore the effective inheritance of the national intangible cultural heritage from the perspective of ecological and expanding ecology.
出处
《临沂大学学报》
2014年第2期99-101,共3页
Journal of Linyi University
基金
国家社会科学基金艺术学一般项目(项目编号:13BG074)
高等学校省级优秀青年人才基金重点项目(项目编号:2013SQRWO41ZD)
关键词
原生态
衍生态
界首彩陶
传承发展
original ecology
expanding ecology
painted porteW of Jieshou
heritage and development
