摘要
《故乡》与《寻根团》具有互文的意义,后者是文化诗学小说、后寻根文学。它传承《故乡》对"乡村现代性转型"的拷问,在鲁迅的文明/愚昧的启蒙起点上,超越时空立足于身份认同、反思现代性、三农问题等维度发问,显示更加决绝的出走姿态。主人公王六一的认同从失根——寻根——扎根,从身份的建构——解构——重构,终于完成"故乡"从乌托邦——异托邦——恶托邦的认识转化与出走。农民心灵的安顿、溃败乡村的建设值得思考。
Hometown and A Touch -Rooting Group are two novels of intertextuality. The latter is a cultural poetic novel and belongs to the post - touch - rooting literature. It poses the same question with Hometown of how the rural modernity has been transformed. Starting from Lu Xun＇ s enlightening exploration of becoming civilized or remaining uncivilized, A Touch - Rooting Group, beyond time and space, poses multi - dimensional questions like rural people＇ s cultural identity, reflection of modernity and three rural issues and therefore, shows a resolute trend of leaving the rural. Wang Liuyi, the hero in the novel, has experienced the three processes from the loss of rooting to the touch of rooting and finally to the taking of roots. He has also gone through the three processes from identity construction to identity deconstruction and then to identity reconstruction. Eventually he finishes his cognition transformation from Utopia to Heterotopia and then to Dystopia. Finally he leaves his hometown. It is worthy of thinking over the issues of the settling of the rural people＇ s souls and the construction of the defeated rural.
出处
《贵州大学学报（社会科学版）》
2014年第3期125-131,147,共8页
Journal of Guizhou University(Social Sciences)
基金
福建省社科规划项目"乡村现代性转型与新时期文学经验"(2013B236)
关键词
《寻根团》
乡土文学
现代性转型
身份认同
乌托邦叙事
A Touch - Rooting Group
local literature
modernity transformation
cultural identity
Utopiannarrative
