摘要
"恨"是朝鲜民族普遍存在的一种文化心理,它不仅影响了朝鲜的古典文学艺术,也对现代电影艺术产生了深刻影响。朝鲜电影一方面继承了朝鲜民族"恨"的文化传统和艺术精神,另一方面又超越了传统意义上的"恨"的内容,以一种新的艺术形式表达和宣泄了在新的历史条件下形成的三大新"恨":亡国之"恨"、阶级之"恨"和分裂之"恨",并将"恨"的情感转为对国家和领袖的认同,从而实现了国家意识形态对全体民众进行心理控制和精神统御之目的。
＂Hatred＂ is a kind of prevalent cultural psychology among North Korean People. It not only affects North Korean classical literature and art, but also has a profound impact on its cinema. The cultural complex of ＂hatred＂ is inherited by North Korean cinema and developed into three new types： the ＂hatred＂ of subjugation, the ＂hatred＂ of classes and the ＂hatred＂ of country split, which are shaped in the new historical conditions and expressed in new art form. These ＂hatred＂ emotions in North Korean cinema are transformed into the identity of country and leadership to achieve the purpose of spiritual control from national ideology.
出处
《北京社会科学》
CSSCI
北大核心
2014年第6期43-48,共6页
Social Sciences of Beijing
关键词
朝鲜电影
“恨”文化
情结
North Korean cinema
culture of ＂hatred＂
complex
