摘要
传统诗论探讨诗歌的形象问题,总和某种特定的哲学形态和思想观念密切相连,其构建过程则以营造一种时空间感的方式实现。船山论诗,以此为据而又有所突破。其中,"气"是形象在诗中时空化的本体依据,"势"是形象时空化的外在特征。如此,于内,是求诗中意之神、理、气的合一;于外,便是求诗之外在空间形态和艺术张力,在"敛"与"纵"、"藏"与"显"之间,建构了富于张力的意义空间。
Traditional poetry is always closely linked with a kind of particular philosophy ideas when discussing the image of poetry, and its construction process is realized by creating a sense of time and space. Wang Chuan-shan＇s poetry is based on this and also has breakthroughs： ＂Qi＂ is the ontology basis and ＂Shi＂ is the external characteristics of the poetry image＇s time and space evolution. So, internally, Chuan-shan＇s poetry pursuit the integration of spirit, rationality and Qi of poems; externally, it pursuits the space impression and artistic tension full of significance.
出处
《中南林业科技大学学报（社会科学版）》
2014年第2期113-116,共4页
Journal of Central South University of Forestry & Technology（Social Sciences）
基金
湖南省哲学社会科学基金:"中国古代文论空间意识的发生
建构及其流变研究"(编号:11YBB070)
关键词
《姜斋诗话》
形象
时空
气
势
Jiang Zhai Poetry Talks
image
time and space
Qi
Shi
