摘要
宋初白体诗首兴,白体诗人范围甚广,有"士大夫皆宗白乐天诗"之说。时至真宗朝,随着白体名家李昉、李至、王禹偁等人的去世,新朝文士纷纷进入文坛,使得昆体代替白体渐次成为诗坛中心。但不少诗人尤其是真宗朝的翰林词臣们的应制唱和诗作,无论是内容体制上还是语言风格上仍然具有白体诗的特征,甚至不少"典型"昆体诗人也由白体"脱胎"而来。宋初诗风更替具有渐次性与复杂性,西昆体与白体有着不可割裂的内在的联系。总之,白体诗作在真宗朝没有消失,转入更深的层次的融合之中,并成为宋代诗歌的重要渊源之一。
Bai-ti poetry first flourished in the early Song Dynasty, resulting in various poets. There are even such saying as ＂All poets are learning Bai le-tian poems＂. By the Zhen-zong Period, as poets like Li Fang, Li-zhi, Wang yu-cheng, Tian-xi and others died, new poets have entered the literary world, making Qun-ti instead of Bai-ti gradually become the center of poetry. But many Hanlin intel- lectuals chang-he poems in the Zhen-zong Period remained Bai-ti in either content or style characteris- tic of poetry, and even many ＂typical＂ Qun-ti poets originated from Bai-ti. The replacement of Song poetry is gradual and complex, and Qun-ti and Bai-ti have been inseparably and intrinsically interrelat- ed. In short, Bai-ti poems in the Zhen-zeng Period did not disappear, but was rather transferred to deeper integration and became an important source of Song poetry.
出处
《云南农业大学学报（社会科学版）》
2014年第3期116-122,共7页
Journal of Yunnan Agricultural University(Social Science)
基金
安徽科技学院引进人才项目(SRC2013344)
关键词
北宋
真宗朝
翰林学士
白体诗歌
North Song Dynasty
Zhen-zong
hanlin intellectuals
Bai-ti poem
