摘要
在由五度圈中的律位构成的音列里,音的数量及其所含"宫"的数量成正比。因为宫—角关系为确立"宫"所必需,而从始发律相生4次之后方能产生高大三度的"角",所以某一音列中音的数量减四,便可得到其所含"宫"的数量,这是采用五度相生律必然会出现的规律。"同均三宫"的理论符合这一规律,实为"七音三宫",此外,还有"六音两宫"、"八音四宫"、"九音五宫"等不同的情况。
In the tone row component by temperament position in the circle of fifths, the numbers of tone is proportional to its number of ＂Gong＂ contained. Since the relationship of Gong-Jiaois required for es- tablished the ＂Gong＂ , then from the original temperament to a major third higher ＂Jiao＂ need four times of interpromoting relations, therefore, in a tone row the numbers of tone minus four it could be get the numbers of ＂Gong＂ contained, which is the law of inevitable appearance to use the temperament of interpromoting re- lation in fifths. The theory of ＂tongjun sangong＂ （a set of note include three modes） is in line with this rule, actually it should be ＂qinyin sangong＂ （seven notes included in three modes）, in addition, there are ＂liuyin lianggong＂ （six note included in two modes ）, ＂ bayin sigong＂ （eight notes included in four modes）, ＂jiuyin wugong＂ （nine notes included five modes） and other different situations such as.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2014年第2期45-53,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
五度圈
音列
宫
同音列数宫
circle of fifths
tone row
Gong
numbers of Gongin the same tone row
