摘要
元杂剧中民俗元素出现频率较高的往往是各个民族认同的文化;反之,出现率低。元杂剧所反映的民俗文化有很大相似性,具备多民族共同的审美接受心理,这是与元代多民族杂处、多元文化并存的现实环境相适应的,为了争取更广的观众群体的民俗文化认同而采取的策略。这种增强民俗认同的策略就是在体现个性民俗的同时,不忘彰显共性民俗文化,充分考虑民族的、地域的民俗文化圈因素。
The more accepted by every nationalities, the more frequently a folk culture would appear in Yuan -Dynasty Zaju plays.The folk cultures reflected in Yuan-Dynasty Zaju plays share great similarities, and are commonly accepted by multinational aesthetic perception.For more extensive acceptance from folk culture, such similarities are consistent with the multi -ethnical inhabi-tation and the coexistence of diverse cultures of Yuan -Dynasty.Such folk culture enhancing strategy highlights common folk cultures while reflecting individual character of folk culture and fully considering the national and regional folk culture circles .
出处
《北方论丛》
CSSCI
北大核心
2014年第3期25-28,共4页
The Northern Forum
基金
2012年大同大学博士科研项目"元杂剧中的民俗文化研究"(2012-B-26)资助
2011年度教育部人文社会科学研究规划基金项目(11YJA751017)资助
关键词
元杂剧
民俗
民俗文化圈
民族
地域
Yuan-Dynasty Zaju plays
Folk culture
Folk culture circles
Nationality
Region
