摘要
穆旦晚期诗作发生很大变化,一位以写"自我分裂"与"自我驳难"而见长的现代主义诗人似乎回归了浪漫诗风的抒情性表达;而且,这些抒情性表达指向的是早年写作不断复现的主题。早年主题的回旋与变奏,构成穆旦晚期诗作特别突出、却为研究者所忽略不察的现象。本文借用"回旋"与"变奏"的音乐学术语,尝试分析穆旦的晚期诗作的幻灭主题如何与不同插部交替反复,而死亡经验的进入又如何在其早年写作与晚期写作之间形成一种丰富的变奏。
The creation in Mudan＇s late period made a great change. He returned to the romantic lyricism from self - division and self - contradiction in his early days. And the lyricism pointed to these themes con- stantly occurred in his early days. The circle round and variation of the early themes showed an outstanding phenomena which were ignored by researchers. This article will take the Musicology words ＂circle round＂ and ＇, variation＂ to analyze Mudanb late poems. It will try to find how the disillusioned themes in Mudan＇s late po- ems interact with the different episodes, and how the death experience＇s intervention builds a bridge between his early poets and late ones.
出处
《泰山学院学报》
2014年第2期76-80,共5页
Journal of Taishan University
关键词
穆旦
早年主题
回旋
变奏
晚期风格
Mudan
Early themes
Circle Round
Variation, Late style
