摘要
中国将具有时代特征的审美情趣渗透入绘画理论中,使得佛教的文化艺术逐渐中国化,最终融合了道教儒教的文化艺术理念,汇入中原文化的母体之中,成为传统文化的延续和补充。形成了具有意象神秘主义的中国传统绘画理论。而西方的基督教文化及其衍生的具象唯物精神,则根深蒂固地渗透进西方美术理论体系中。中西方绘画理论体系走上了意象神秘主义与具象唯物精神两种截然不同的发展方向,宗教对其精神内涵的影响和形成的作用无疑是巨大的。
The aesthetic interest of Chinese characteristics in Chinese painting theory makes Buddhist culture a part of Chinese culture whose integration with Taoism culture and central Chinese culture becomes the ex- pansion and supplement for traditional Chinese culture, which is the traditional Chinese painting theory of concrete mysterious elements. The western painting theory is based on Christian culture and the scientific spirit of materialism derived from the Christian culture. The influence of religion on the painting theories in Chinese painting and western painting brought about the different developing trends for the paintings.
出处
《曲靖师范学院学报》
2014年第2期123-125,共3页
Journal of Qujing Normal University
关键词
意象神秘主义
具象唯物精神
绘画精神内涵
基督教文化衍生体
理事圆融
image of mysterious element
spirit of materialism
connotation of painting
derived parts fromChristian culture
integration
