摘要
莫斯科与彼得堡的对立是俄罗斯文化中一个独特而重要的现象。自彼得大帝在涅瓦河口的一片沼泽地上建起了俄罗斯的北方新都之后,莫斯科和彼得堡便成为俄罗斯现代化进程中的两个标志性文化符号,它们之间的对立和融合反映着俄罗斯文化的两极性和欧亚性。19世纪的经典作家如普希金、果戈理、赫尔岑和别林斯基都对这两个城市的关系做过精辟的论述,他们笔下的莫斯科和彼得堡是"自然和文明"的对立,是"圣城和魔都"的对立,是"古老和现代"的对立,是"俄罗斯和西方"的对立,在这些对立中却时而透露出某种互补和趋同的倾向。
The opposition between Moscow and Petersburg is a unique and important phenomenon in Russian culture. Since Peter the Great founded the northern new Russian capital in the swampland at the mouth of the Neva River, Moscow and Petersburg have become two symbolic cultural signs of Russian modernization ; and the opposition and integration between them reflects the bipolarity and Eurasianness of Russian culture. The 19th-century classic writers such as Pushkin, Gogol, Herzen, and Belinsky all had some insightful expositions of the relationship between the two cities. In their works, Moscow and Petersburg form oppositions between ＂nature and civilization＂, between ＂the holy city and the devil capital＂, between ＂antiquity and modernity＂, and between ＂Russia and the West＂, which, bowever, sometimes reveal a trend toward complementarity and convergency.
出处
《俄罗斯文艺》
CSSCI
北大核心
2014年第2期11-16,共6页
Russian Literature & Arts
基金
全国优秀博士论文专项资金资助项目(项目号:201208)的阶段研究成果
