摘要
内容摘要:以大漆脱胎碗为线索,对中国传统造物艺术进行浅略分析。为弥补目前国内关于脱胎工艺尤其是小器皿的脱胎工艺方法研究的缺失,在基于已有的文字记载研究之上,以宋代建窑盏为模本,进行实际操作,总结出一套新的能够适用于制作小器皿的脱胎工艺方法。与此同时,加深对于造物本源的认知,尤其是传统造物中的尺度问题的研究,以此为依据,为当下设计中器皿造型尺度提供可借鉴之处。在此研究过程中,着重对于中国传统造物观念的体会,进而能够从更深的层次上去理解中国传统文化。
Based on bodiless lacquer bowl, the Chinese traditional creative art was analyzed slightly. In order to cover the research deficiency on the process of making bodiless lacquerware, especially relating to small containers, based on the literature references, using Song dynasty kiln site as example to practice, a set of new technics that is suitable for small bodiless containers was summed up. At the same time, enhanced the knowledges of the root for creativity. Research especially on the sizes of traditional creative art brings some new ideas for improving shape or scale of current container design. During this research, emphasis was on ex- periencing concept of Chinese traditional creativity, and therefrom a better understanding of Chinese traditional culture.
出处
《中国生漆》
2014年第1期1-5,共5页
Journal of Chinese Lacquer
关键词
大漆
脱胎漆碗
传统造物艺术
Lacquer
bodiless lacquer bowl
traditional creativity art
