摘要
本刊编辑在春节前联系李元奇约稿时,他正在沂蒙山区创作。这将是他在沂蒙山度过的第12个春节。大连摄影家李元奇坚持拍摄《沂蒙纪事》近三十年,这已成为中国摄影界的一段佳话。读李元奇的《沂蒙纪事》,很快就能被他镜头中的情真质朴所感染。在他的镜头中,摄影者的情感与沂蒙百姓的音容笑貌自然地融为一体,让人倍感亲切。这名外地摄影师为何能如此详熟地讲述沂蒙?不如读一下李元奇对"崮"的畅想。
Li Yuanqi was creating around the Yimeng Mountains when we invited him to submit a piece of writing/photo for our publication before the Chinese Spring Festival.This year is the 12th year he spent around Yimeng Mountains.Li Yuanqi,born in Dalian,insists on shooting A Photographic Memorandum of Yimeng for nearly 13 years,who becomes proverbial in Chinese photography.It is easily impressed by the true emotion from his camera when you are reading A Photographic Memorandum of Yimeng.In his camera lens,the emotion of the photographer and the the voice and appearance of the local people are naturally combined.Why the photographer who is not born in Yimeng is so familiar with the life here and can make a better description by camera? It's a good way to get to know by reading his imagination of Menglianggu.
出处
《走向世界》
2014年第14期20-25,共6页
Openings
