摘要
文章通过对中国传统建筑营造者关切点的梳理,进而认识到文人对中国营造的贡献。"全人"是清人论述建筑环境时提出的概念,是随着中国文化的发展和长期营造经验的积累而逐渐建立起来的。其营造模式以文人和匠人的共同创造为特点,以创造整体环境为目标,以满足人的生活需求、追求人生境界为核心。此种营造体系重环境、弱建筑、近人情、贵境界。建筑从属于整体环境,只是塑造环境的一种要素和手段。
With an historical analysis of the concerns of the constructors of traditional Chinese architecture, this paper tries to take stock of the literati＇s contribution to China＇s built environment. The concept of ＇the complete man＇ was raised by thinkers of the built environment in the Qing Dynasty （1644-1911）, a gradually realized concept that developed in tandem with Chinese culture and extensive experience in construction. The model of construction it advocates is predicated on the joint contribution of the literati and the craftsman, and geared towards the creation of a holistic environment that can meet the needs of human life as well as help achieve a state of perfection. Such a system of construction privileges the natural environment and deemphasizes architecture. It sits closer to the human condition and points to the higher state of human development. Architecture is therefore subsumed under a holistic environment as one of the means to shape the environment at large. Such is the perspective that this paper adopts in its understanding of traditional Chinese architecture and in its search for its deep structure, as the author＇s humble contribution to the cause of promoting traditional Chinese architecture.
出处
《时代建筑》
2014年第1期44-47,共4页
Time + Architecture
基金
国家自然科学基金资助项目
批准号:51178370
关键词
匠人
文人
建筑观
全人
环境
境界
Craftsman
Literati
View on Architecture
the Complete Man
Environment
