摘要
作为《花间集》收录的重要词人,蜀人毛熙震采取了典型的阴性化写作方式。在词的题材上,他以女性为主角,表现她们闲懒无聊的生活与寂寞忧怨的情绪。在闺阁物象上,他刻画女性的柔美体态,摹写闺房的精细物件。在自然景观方面,他描写季节、日月、动植物,营造萧瑟凄迷的气氛。就毛熙震词而论,其美学价值值得肯定,但其病态因素需要警惕。
As an important ci poet included in ＂ Huan Jian Jit＂, Mao Xizhen from Sichuan took the typical feminine writing style. On the theme in his ci, he took women as the heroines, showing their idle and boring life and lonely and depressed emotions as well; In description of the boudoirs, he portrayed women＇s soft bodies, and depicted fine articles in the boudoirs; When touching natural landscapes, he created bleak and chilling atmosphere with the season, the sun and moon, animals and plants of his understanding. In terms of his ci, it is worthy of rec- ognition of its aesthetic value, but its morbid factors should not be observed.
出处
《成都大学学报（社会科学版）》
2014年第2期53-57,共5页
Journal of Chengdu University (Social Sciences)
关键词
毛熙震
阴性化
女性题材
闺阁物象
自然景观
Mao Xizhen, feminine, female subjects, boudoir articles, natural landscape
