摘要
《烬余录》因在文中坦陈"我"对一个伤员的无同情态度而备受争议,一些人由此认为张爱玲缺乏起码的人道主义同情心。其实,只有从战争生活状态下所形成的文化心理角度来解读这个文本,才能认识"我"的独特心理活动所包含的人学内容。与日常生活有别,处于战争状态中的人,面对苦难,会从"同情"向"庆幸"继之向"焦虑"发展,从而使得人的选择更加自我化、非同情化。同时,《烬余录》的写作已经以日常之"我"完成了对于战时之"我"的反省,体现了作家的真诚不欺,据此,我们不应低评张爱玲所达到的精神境界。
Because the indifference towards the injured soldier shown by ＂I＂ in Ashes caused great contro- versy, some people just think that ZHANG Aiding did not have minimum humanitarian compassion. Actu- ally, only under the war cultural perspective can the text be interpreted, can we understand its humanity encompassed in typical psychological activities. Different from the people in the daily life, the man in the war may develop from ＂sympathy＂ to ＂rejoice＂ and proceeded to ＂anxiety＂, which enabled a person to be- come more selfish and indifferent. In the meantime, the writing of Ashes depicts the self-reflection of ＂I＂ in the war with ＂I＂ in the daily life, showing the writer＇s sincerity. Therefore, ZHANG Ai-ling＇s moral stature cannot be underestimated.
出处
《合肥师范学院学报》
2014年第2期1-9,共9页
Journal of Hefei Normal University
