摘要
近些年来,随着紫砂艺术实践与理论的发展,对"玉成窑"的研究已开始受到关注,通常认为,玉成窑是清同治、光绪年间在宁波慈城创办的生产紫砂壶的文人紫砂窑口,它是当时的一批文人在沪甬两地名门的资助下与一些紫砂艺人合作制壶的紫砂艺术活动。在紫砂壶艺史上,它可谓是继嘉道年间"曼生壶"之后,"文人壶"的再次勃兴,其中尤以清代书法家梅调鼎所参与题铭的砂壶最为著名,是"玉成窑"砂壶作品的的名器佳物。目前,对于"玉成窑"的历史真相及其在紫砂史上的地位,虽已有不少相关论述,在很多根本性问题上却仍莫衷一是,在此背景下,有必要对玉成窑之史实脉络与历史价值进行更为深入地研究与厘清。
With the development of purple-clay teapot production and theory in recent attentions have been years, e research of Yu Cheng Kiln. It was a kiln built in Cicheng （a town in Ningbo） for the production of purple-clay teapot in Tong Zhi and Guang Xu regime in the Qing dynasty. In the history of purple-clay teapot, it was a revitalization of the ＇literati teapot＇ （a kind of teapot made by the ancient literati） after the production of Man Sheng teapot in the Jia Dao regime. The best and the most famous among those produced in Yu Cheng Kiln is a kind of teapot inscribed by Mei Tiaoding, a Chinese calligrapher in the Qing dynasty. Although the papers concerning the truth of Yu Cheng Kiln and its position in the history of purple-clay teapot are available at present, some essential questions about the kiln remain to be answered. In this sense, it is indispensible to conduct a more profound research into the historical track and value of Yu Cheng Kiln.
出处
《创意与设计》
2014年第1期94-103,共10页
Creation and Design
关键词
梅调鼎
玉成窑
文人壶
雅集
Mei Tiaoding
Yu Cheng Kiln
literati teapot
gathering for the literati
