摘要
一个民族的音乐也就是一个民族的百科全书,它始终与民族历史文化的发展密不可分,也与民族音乐创作思维模式密切相关。土族早期民歌能够传承至今,就在于土族先人音乐创作思维成型之后,不断在本民族间以某种独特的传承形式代代相传,这些构成民族音乐基因的早期音乐创作思维,在遭受过无数次外来文化思维的侵蚀后,具有抵御外来文化侵蚀的免疫能力,仍然独立存在,并抵御了各种干扰和侵入,成为土族民歌音乐个性的灵魂。
The music of a nationality is its encyclopedia, closely associated with the development of its history and culture,as well as the thinking mode of its music composition. The reason that the early folk songs of Tu minority can pass down to the present is that after Tu ancestors ~ thinking of music composi- tion came into being, it has been passed down in some unique way from generation to generation. The thinking of early music composition constitutes the nationality^s musical genes, which were eroded many times by foreign cultural thinking. It has the immune system to protect itself from the erosion of foreign culture,still existing independently,keeping away a variety of disturbance. It is the soul of Tu Minority^s folksongs musical uniqueness.
出处
《青海师范大学学报（哲学社会科学版）》
2013年第6期86-90,共5页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
基金
青海省社会科学规划项目<文化变迁下的土族民歌创作思维研究>(12050)
关键词
土族
早期民歌
音乐创作思维
Tu Minority
early time bauads^thinking of music composition
