摘要
庞薰琹是我国现代艺术史上的著名艺术家和工艺美术教育家,为中国现代艺术史和现代设计教育开创了新气象与新潮流。抗战时期,移居西南大后方的他深受抗日救国图存氛围的影响,意识到艺术不能脱离国家民族而存在;与考古学家、历史学家和民族学家的接触交往,促使他深入现实生活,亲赴少数民族地区开展田野调查。这些经历改变了他对艺术的理解,并预见到了实用性强的工艺美术将在今后中国社会经济的发展以及改变落后面貌的现代化建设中具有重要意义。他的实践与努力,成就了西南地区艺术在中国现代艺术史上的地位与影响。
Pang Xunqin as a famous artist and industrial - art educator ushered in new styles and trends in the history of Chinese mod- ern art. During the War of Resistance against Japanese Invasion, though Pang Xunqin moved to southwest China, he was under the in- fluence of patriotism and aware that art could not exist without a nation. His contacts with archaeologists, historians and ethnologists led him to have down - to - earth investigations, which changed his understanding of art. He predicted that industrial arts would have much significance in future social and economic development of China due to its practicability. His achievements helped ensure the important role of the art of southwest China in the the history of Chinese modern art.
出处
《云南民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2014年第2期157-160,共4页
Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金青年项目"日本近世小说观念的中国文学思想渊源研究"(项目编号:13cww010)
中央高校基本科研专项课题"决澜社的创办--现代艺术探索与设计艺术创新的研究"(项目编号:skq2013730)
中央高校基本科研学科前沿与交叉创新研究重大课题"基本科研大学形象识别系统建设规划"(项目编号:2082704154130)
关键词
庞薰琹
西南地区
空间转换
视野转向
艺术构建
Pang Xunqin
southwest China
spatial shift
visual transformation
artistic construction
